Unfortunately, it's getting harder and harder to actually do some of these things anymore-they no longer exist.
We create ‘ephemera’ - so why it is rare to see designers fully utilize an ephemeral aesthetic? More common in the artworld -the Nouveaux Réalistes, Fluxus, Happenings, etc - the intentional employment of a material’s inherent vice can add a rich ‘time-released’ dimension to one’s work. The resulting piece may look like trash, but either through client needs or the designers’ desire for eternity, it resists being a sublime trash. Ultimately, such strategies are artifice and pastiche.
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Have you ever found yourself at the corner of wabi and sabi when confronting the odd faded poster or musty, yellowing book? This beauty is more about the object’s passage through time rather than the clever hand of its maker.ĭesign is full of examples where the decayed and decrepit have been mined for imagery: the ring wear of old LPs appropriated for new CD packages the artfully torn pieces of paper which suggest passion & spontaneity aged paper scanned for backgrounds or digitally inserted film scratches and hand-held shakiness in motion graphics. Yet, there is an additional beauty to those pieces which comes from their fragility. Robert Smithson’s earthworks, Albert Pinkham Ryder’s home-made paint additives, Mark Rothko’s overthinned color washes, and Julian Schnabel’s paintings with glued-on crockery all have an inherent vice in their materials. ‘Inherent vice’ is the art conservation term used to describe materials lacking certain archival properties. But over time, what stuck with me was the choice of material: blueprint paper - probably intended to fade away in the open air. Upon first seeing this poster in a friend’s living room, I was initially impressed by the piece’s obliqueness and starkness. A sliver of an image running along the side depicted a blurry figure in mid-stride, and a small-ish line of text read something like: “there is so much to do, it is hard to know where to begin begin anywhere”. Designed by Bruce Mau, they were predominately empty sheets of paper.
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Selecting a region changes the language and/or content on after composer John Cage passed away in 1992, a series of posters appeared on the streets of Toronto to commemorate the event.
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